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Advocacy Group Asserts to Have Scraped Countless of Music Files from the Streaming Giant

A digital rights organization has claimed to have scraped a vast number of tracks from the popular streaming service and is preparing to release them publicly.

Potential Impetus for AI Development

Industry experts said the apparent data breach could boost artificial intelligence firms searching for data to train their models.

A group known as Anna’s Archive said it had obtained 86 million music files from the platform and 256 million rows of associated data such as artist and record names. The company, which carries more than 100 million songs, confirmed that the breach did not constitute its entire catalog.

“We have identified and deactivated the nefarious user accounts that engaged in illegal scraping,” said a Spotify representative.

The Stockholm-based service, which has more than 700 million users worldwide, further explained that an investigation into unauthorised access identified a external actor scraped public metadata and used illicit methods to circumvent DRM [digital rights management].

Group's Stated Mission and Concerns

Spotify does not believe the music taken by Anna’s Archive has been released yet. Anna’s Archive, which is known for providing links to pirated books, said in a blog it wanted to create a ‘historical repository’ for music.

They claimed the music files accounted for 99.6% of all music streamed to by Spotify users and would be distributed via ‘torrents’, a method of exchanging large data files online.

“Naturally the service doesn’t have all the music in the world, but it’s a fantastic start,” said Anna’s Archive, which describes its purpose as “preserving humanity’s knowledge and heritage”.

AI Training and Intellectual Property Battleground

A composer and campaigner for defending artists’ copyright, remarked the breached music would probably be used for developing AI models.

“Educating models on pirated data is unfortunately common in the tech sector, so this accessed music is highly likely to end up instructing AI models,” he stated.

The Anna’s Archive site alludes to a large online archive, a huge online archive of pirated books that has allegedly been leveraged by the parent company of Facebook to develop its AI models.

A founder of an artificial intelligence company posted on the professional network that individuals of the public could in principle “build their own private free equivalent of Spotify”. The executive said it could also allow technology firms to “train on contemporary music at scale”.

Intellectual property law has become a battleground between artists, writers and creatives on one side and AI companies on the other.

Policy Proposals and Reactions

In the UK, artists and writers have raised concerns against a ministerial proposal to let AI companies utilize protected work without consent unless the owner opts out. Virtually every participant to a government consultation on the idea has supported artists’ apprehensions.

The secretary of state for technology, innovation and development told parliament this month there was “little consensus” on the matter, adding that ministers would “take the time to get this right”. The administration has committed to make regulatory plans on AI and copyright by March 2025.

About the author

Peter Brown

A tech journalist with over a decade of experience covering emerging technologies and digital trends across Europe.

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